Here is the total interview translated from Russian:
http://www.ekhoplanet.ru/movie_642_21365
Adrian Paul , famous for his portrayal of the beloved Duncan MacLeod - the
Englishman , his mother - an Italian , and the first time he appeared on screen
in the form of Russian ballet dancer Nikolai Rostov in the popular television
series "Family Colby : Dynasty" . Our
guest artist is not the first time. To
work again drew his " Russian Schwarzenegger " - Alexander Nevsky . The
correspondent of " Echo" spoke with the actor in Moscow , which hosted the
Russian part of the filming of Hollywood thriller " Black Rose
".-
Tell us about your character in "Black Rose" .-
I 'm a police officer in Los Angeles and most of the picture chasing the main
killer. Everyone,
including me , suspect that the culprit is a Russian , because they killed a
girl in West Hollywood exclusively Russian . Therefore,
it was decided to invite the aid of Russian officers from the Moscow Criminal
Investigation Department . As
a result, in the picture of the killer looks for the whole international company
detectives.-
How was it working with the Russian ?-
On set is very important to me that the people I work with , were close to me in
spirit. It
is important to feel comfortable and to all supported each other
.-
Russian were professional enough for you ?-
Working here with a Russian team , from the fixtures to the make-up was just as
comfortable and cool as in America and other countries where I have worked
.-
What was the most difficult test for you on this set?-
To be honest , I must say that I met on the way of serious difficulties.
This
is already my second job with Alexander Nevsky , and I was again in stunning
professional team of lovely people . No
complications were not. The
main challenge was probably the direct work on the role.-
This role was interesting enough for you ? The
history of the character was really dramatic ?-
Yes , the drama was enough. The
development of the role of my character was pretty
interesting.-
At one time you played football professionally . Perhaps
you would have been a good career . Why
did you quit playing ?-
I left the sport because it was too much politics . In
this world, too often people have formed a career , not because they are
talented athletes , and their ability to find a common language with the right
people. In
order to break into the world of football , we need communication . Let
me tell you a secret : When I was young, I was very shy , perhaps even too much.
In
order to find an approach to all kinds of sponsors out there , I had neither the
patience nor the ability to " make friends" with uninteresting people to me
.-
I want you to confess , when I was seventeen , I have been in love without
memory . It
seems to me that at that time in Duncan MacLeod in Russia was loved by many
girls. Surely
there is still some fan Adrian Paul . Do
you know anything about this?-
I am , of course, it's scary good , but , oddly enough , in Russia 's official
fan club not. More often than not I communicate with
my fans through pages in social networks, "Twitter" and " Facebook ".
While
this is enough .-
Do you think you played the character Duncan MacLeod helped your career or , on
the contrary , you forever cemented in the form of brutal men fireproof
?-
I do not know , helped me mountaineer or not, but I'm really grateful for what
she has given me the opportunity to play in this series . This
is the role I played for many years and it has helped me become a real
professional. This
job has taught me to step back from the role in the game and see what is
happening from the outside.-
Adrian , you have not changed , maybe you really are immortal ? You
want to afford such a fate?- No ... I
would not want to live forever. Watch
as dying your relatives and friends , a small pleasure . To
eternal life, I would agree only if b and my family could live with me
forever.-
Uncover the secret of some .-
I'm scared like chocolate , however, is not such a big secret . Sorry,
no more secrets I can not open .Interviewed
by El PolyakovEcho
of the Planet , № 31, 2013
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